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Medieval Multiplied: the ivory mirror case

This webpage accompanies the exhibition,ÌýMedieval Multiplied: A Gothic Ivory and its Reproductions, held at The ÌìÃÀ´«Ã½ Gallery from 19 October 2024 till 16 February 2025.

On this page you will find a new digital model of aÌýÌýfrom the Victoria and Albert Museum, London. You can compare this model with the original ivory, shown below, and with reproductions of it in other media.

Assault on the Castle of Love

by on

depiction of The Assault on the Castle of Love
Unknown artists, Paris, France, ivory mirror case carved with ‘The Assault on the Castle of Love’, c. 1325–50. Victoria and Albert Museum, London.
Unknown artists, Paris, France, ivory mirror case carved with ‘The Assault on the Castle of Love’, c. 1325–50. Victoria and Albert Museum, London.
Francis Bedford (1815–1894), photochromolithograph in John Charles Robinson, The Treasury of Ornamental Art, London, probably 1857. The ÌìÃÀ´«Ã½
Francis Bedford (1815–1894), photochromolithograph in John Charles Robinson, The Treasury of Ornamental Art, London, probably 1857. The ÌìÃÀ´«Ã½
Elkington and Co., London, plaster cast of the V&A’s ivory mirror case, 1855. From the collection of A. W. Franks, now in The ÌìÃÀ´«Ã½
Elkington and Co., London, plaster cast of the V&A’s ivory mirror case, 1855. From the collection of A. W. Franks, now in The ÌìÃÀ´«Ã½
Unidentified artist with the initials ‘CA’ or ‘AC’, wood engraving (left hand side) in William Maskell, Ivories, ancient & mediaeval, London, 1875. The ÌìÃÀ´«Ã½
Unidentified artist with the initials ‘CA’ or ‘AC’, wood engraving (left hand side) in William Maskell, Ivories, ancient & mediaeval, London, 1875. The ÌìÃÀ´«Ã½
Francis Bedford (1815–1894), photochromolithograph in John Charles Robinson, The Treasury of Ornamental Art, London, probably 1857. The ÌìÃÀ´«Ã½
Francis Bedford (1815–1894), photochromolithograph in John Charles Robinson, The Treasury of Ornamental Art, London, probably 1857. The ÌìÃÀ´«Ã½
Isabel Agnes Cowper (1826–1911), photograph in William Maskell, Description of the ivories, ancient & mediaeval, in the South Kensington Museum, London, 1872. The ÌìÃÀ´«Ã½
Isabel Agnes Cowper (1826–1911), photograph in William Maskell, Description of the ivories, ancient & mediaeval, in the South Kensington Museum, London, 1872. The ÌìÃÀ´«Ã½

 

  • Unknown artists, Paris, France, carved with ‘The Assault on the Castle of Love’, c. 1325–50. Victoria and Albert Museum, London.
  • James Basire the Younger (1769–1822), in Archaeologia, the journal of the Society of Antiquaries, London, 1812. The ÌìÃÀ´«Ã½
  • Elkington and Co., London, of the V&A’s ivory mirror case, 1855. From the collection of A. W. Franks, now in The ÌìÃÀ´«Ã½.
  • Unidentified artist with the initials ‘CA’ or ‘AC’, (left hand side) in William Maskell, Ivories, ancient & mediaeval, London, 1875. The ÌìÃÀ´«Ã½.
  • Francis Bedford (1815–1894), in John Charles Robinson, The Treasury of Ornamental Art, London, probably 1857. The ÌìÃÀ´«Ã½.
  • Isabel Agnes Cowper (1826–1911), in William Maskell, Description of the ivories, ancient & mediaeval, in the South Kensington Museum, London, 1872. The ÌìÃÀ´«Ã½.

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